While both “The Charge of the Light Brigade” and “The Dead” deal with war and the death that results from it, the poems present the loss of lives in two very different lights. “The Charge of the Light Brigade” starts at the beginning of a battle, detailing the events that occur in a glorious tale that is ripe with heroic sacrifice. Even the rhythm of the poem seems to be influenced by the spirit of war, as the stressed syllables create a tempo that resembles a trot. This work seems to criticize war a little, but poem’s intended purpose appears to be to celebrate the soldiers of the light brigade and to honor them as heroes.
On the other hand, “The Dead” employs longer lines and does not describe the events of a battle. The loss of the soldiers’ lives is not as glorified as it is in “The Charge of the Light Brigade”; in fact, the poem humanizes the combatants. They are no longer just the six hundred—they are individual people, and the time they have spent on the earth has been cut tragically short. Their memories and experiences have vanished as well, and “The Dead” mourns this loss much more than “The Charge of the Light Brigade” did.
Both poems use enjambment, but they seem to use it for different purposes. Perhaps “The Charge of the Light Brigade” uses these line endings to demonstrate the moments of suspense that occurred while “all the world wonder’d” (Tennyson 33), and perhaps “The Dead” uses it to mirror the abrupt ends to the soldiers’ lives? Finally, while “The Charge of the Light Brigade” ends with a cry that honors the soldiers as heroes and praises their endless glory, “The Dead” ends with a frost that settles over the water and leaves an “unbroken glory” (Brooke 13). As frost and winter often represent an end to the life that bloomed in the spring, this final glory is different than the one in the other poem, bringing about a more silent, peaceful end.
Sofia Yi